We makethe stuffyou post.

Unlimited requests, not unlimited simultaneous output. On Unlimited you can queue as many briefs as you want and six are in production at any one time. As one ships, the next starts. We cap concurrency rather than volume because that is the only version of unlimited that stays honest — a studio promising infinite parallel output is either padding the price or about to miss deadlines.

A mid-level editor in the US runs roughly $75k plus benefits, equipment and management time, and they only do one discipline. Momentum is $43,200 a year and covers editing, motion, design and copy. The real saving is not the salary line though — it is that you are not carrying the cost when the workload dips.

Freelancers are cheaper per deliverable and we would tell you to use them if you need four videos a year. The cost shows up in your calendar: sourcing, briefing each one from scratch, chasing files, and re-explaining your brand every time someone drops off. A pod learns your brand once and holds it.

24 to 48 hours on Momentum and above, 48 to 72 on Spark, measured from when the brief is complete — not from when you first mention it. A short-form edit from supplied footage lands same-day more often than not. A brand system does not, and we will not pretend otherwise; those run on a scoped timeline you agree upfront.

Most clients do not at the start. We work from what exists — product shots, screen recordings, founder selfies, stock where it genuinely fits — and build a shot list for what to capture next. Several clients shoot everything on a phone against a wall and it performs fine.

A named pod: one account lead plus senior creatives, all of whom you meet at kickoff. Not a rotating bench, not an offshore queue you never see. If someone on your pod changes, we tell you before it happens.

Yes, with 15 days notice, and you keep your pod when you come back within 90 days. Seasonal brands pause every year and we plan around it. There is no penalty and no reactivation fee.

You own everything on delivery, including native source files — project files, layered artwork, fonts we licensed for you. That is in the agreement, not a favour. Studios that withhold sources are protecting a switching cost, and we would rather you stayed because the work is good.

Fourteen days from your first invoice. If the first deliverables are not what you expected, tell us and we refund the month in full. You keep the files. We have paid it out twice in two years and both times the mismatch was visible in week one.

Paid media buying, PR, influencer management, and anything requiring engineering beyond a marketing site. We build the creative; someone else runs the spend. If you ask, we will point you at people we trust.